PRESSE

**"There is real invention" ★★★★ - The Guardian (Revue de presse de SHIFT, 2018**)

**"A hugely satisfying level of wow factor" ★★★★ - What's on Stage (Revue de presse de SHIFT, 2018**)

**"The choreography is beautiful (...) The production is top quality" - Circus Diaries (Revue de presse de Shift, 2018**)

**"Merveilleux, sensible, Yves Klein en aurait été fier" - Ugenda (Revue de presse de Anthrop, 2013**)

**"Unique, bold-stroked choreography that speaks volumes for itself" - A Younger Theatre (Revue de presse de Lost Post, 2012**)

**"Such a well-choreographed piece" - The Reviews Hub (Revue de presse de Lost Post, 2012**)

**"Watch out for Melissa, I certainly will be" - Osborne and What (Revue de presse de Up Sky Down, 2012**)

**"Un spectacle dynamique qui tient l'attention du public jusqu'à la fin" – Cultuurbewust (Revue de presse de GravitISH, 2011**)

**"Melissa Ellberger's supended legs eerily appear to swivel at a different speed from the rest of her body" - The New York Times (Revue de presse de 4-ISH, 2006**)

**"Une vraie rencontre dans un champ de conscience..." - Le Courrier (Revue de presse de Alprosa, 2001**)